Also, the further synthesis of these grains is often unfairly associated with buzzing noises, which might put some people off exploring it. We say that because it’s possible that the very thought of smashing your sound up into small pieces – the core point of granular synthesis – might not sound that appealing. Granular synthesis seems to have come back in vogue at the moment only a couple of months ago, we looked at the excellent Audio Damage Quanta synth, which creates complex pads and textures using this perhaps-so-far-underused synthesis. While Europa has just as much to offer for sound designers, Grain lets you get to the heart of sampling and synthesis, straight away. However, the other of the two new synths, Grain, also deserves some praise and is the focus of this latest sound-design workshop in our Reason series.
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